Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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unknow artist
William Shakespeare heroine Imogen in his play Cymbeline

ID: 77915

unknow artist William Shakespeare heroine Imogen in his play Cymbeline
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unknow artist William Shakespeare heroine Imogen in his play Cymbeline


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unknow artist

  Related Paintings of unknow artist :. | Wounded Soldiers Retrating from Russia | Hildegard of Bingen illusion | Giotto, Christ Begrates | vaktavlosning vad buckingham palave | Cook in front of the Stove |
Related Artists:
Girolamo da Carpi
(1501-1556) was an Italian painter and decorator who worked at the Court of the House of Este in Ferrara. He began painting in Ferrara, by report apprenticing to Benvenuto Tisi (il Garofalo); but by age 20, he had moved to Bologna, and is considered a figure of Early Renaissance painting of the local Bolognese School. He trained in the studio of a local painter who showed the influence of Lorenzo Costa and Raphael. In the 1520s Girolamo visited Rome and Bologna and was inspired by the Mannerist style of Giulio Romano. Geographically and stylistically he straddles the various influences. He returned to Ferrara and collaborated with Dosso Dossi and Garofalo among others on commissions for the d'Este family. Girolamo became the architect to Pope Julius III in 1550 and supervised the remodeling of the Vatican's belvedere. Returning to Ferrara, he was charged of the enlargements of the Castello Estense. Da Carpi's paintings include a Descent of the Holy Spirit, in the church of St Francis at Rovigo; a Madonna, an Adoration of the Magi, and a St. Catharine at Bologna; and the St. George and the St. Jerome at Ferrara.
Hermann Groeber
painted Die Dorfstrabe in Germany (1865- 1935 ) - Painter
Orsi, Lelio
Italian, approx. 1508-87 .Italian painter and draughtsman. A prominent Emilian artist of the mid-16th century, he was influenced by Correggio as well as by the late Mannerist style of Giulio Romano. His large-scale works seem to have been mainly secular decorations, notably illusionistic fa?ades, of which only fragments are extant. Their energy and expressiveness are apparent, however, in the surviving paintings of smaller dimensions. Orsi's sole documented architectural work is the Collegiata di S Stefano, Novellara






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